2026

  • World premiere of Christe Lux Mundi during the London Festival of Contemporary Church Music at Southwark Cathedral in London.
  • Third prize in the Composition Competition for a Lenten choral work to a Kashubian-language text, for the piece Korona z drzonu.
  • Performance of A Patre unigenite by the National Philharmonic Choir conducted by Bartosz Michałowski in Klaipėda during the concert Skarbnica polskiej muzyki chóralnej.
  • Performance of In te Domine speravi by the Rondo choir conducted by Małgorzata Podzielny during the 13th International Festival of Sacred and Passion Music in Szczecin.
  • Presentation of the arrangement of Marek Grechuta’s song Nie dokazuj by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska during the nationwide concert tour Karuzela gna.
  • Presentation of works during the Musica in Urbe National Choral Festival and Competition (Nunc dimittis, Jubilate Deo, In te Domine speravi).
  • Performance of Beatus vir by the vocal ensemble Minimus conducted by Sławomira Raczyńska in Poznań, at a jubilee concert marking the ensemble’s 15th anniversary.
  • Performance of Crucem tuam by the Cantate Deo choir conducted by Michał Brożek during the Night of Choirs in Tychy.
  • Performance of Crucem tuam and Crucifixus by the vocal ensemble Qol Nefesh during Lenten concerts in Italian churches.
  • World premiere of O Sapientia by the vocal ensemble Qol Nefesh in Vigevano, Italy.

2025

  • Performance of Missa in honorem Sancti Adalberti by the Camerata Musicale choir conducted by Aleksandra Janus and the BSW Akolada choir conducted by Renata Szerafin-Wójtowicz at a concert in Wejherowo.
  • World premiere of Exultate Deo during the LFCCM in London (Call for Scores 2025).
  • Commission for the piece O crux ave for the Camerata Musicale choir conducted by Aleksandra Janus.
  • Composition of the piece Lux fulgebit for the choir L’Ensemble Vocal du Pays from Thann, France.
  • Interview with Magda Jasińska on Radio PiK LINK.
  • Performance of Missa in honorem Sancti Adalberti in France by the choir L’Ensemble Vocal du Pays conducted by Michèle Huss at concerts in Thann and Dannemarie LINK1 LINK2 LINK3.
  • Performance of Te Deum Laudamus by the Dominanta choir of the Kraków University of Economics conducted by Małgorzata Langer-Król during a concert marking the choir’s 55th anniversary at the Kraków Philharmonic.
  • World premiere of the composition Czym jest muzyka by graduates of PSCHiEG at a jubilee concert, conducted by Marek Gandecki, with cello solo by Łucja Urbaniak.
  • Performance of De profundis by the Rejoice Ensemble in Estonia.
  • Recording of the pieces O salutaris Hostia and Ubi caritas on an album released by the Primo choir conducted by Monika Wilkiewicz.
  • Performance of Crucem tuam by the Piccolo Coro choir in Dobříš, Czech Republic, conducted by Marek Valášek.
  • Performance of De profundis by the Anton-Weber-Chor conducted by Florian Cramer in Freiburg.
  • Presentation of the arrangement of Marek Grechuta’s song Nie dokazuj by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska during the nationwide concert tour Karuzela gna.
  • Performance of Pascha nostrum by the Dominanta choir of the Kraków University of Economics conducted by Małgorzata Langer-Król during a choral competition in Barcelona.
  • Performance of Mój wianuszek lawendowy by the Cantata choir conducted by Marta Drózda-Kulkowska during a concert in the series Cantata i przyjaciele in Elbląg.
  • Start of cooperation with the online publisher Muspot.
  • World premiere of the composition Okulary for children’s choir, to a poem by Julian Tuwim, by the Kruszynki choir conducted by Marta Koślińska, with Łukasz Urbaniak on piano.

2024

  • Premiere of Nunc dimittis during the Joy and Devotion Festival of Polish Sacred Music in London, under the artistic direction of Paweł Łukaszewski.
  • Participation in the gala concert at the National Philharmonic in Warsaw closing the Most the Music project.
  • World premiere of Pascha nostrum during the LFCCM in London (Call for Scores 2024).
  • Performance of Beatus vir by the Duo Deco Ensemble during the concert More Sweet Than My Refrain as part of the Pažaislis Music Festival in Lithuania.
  • Performance of Beatus vir by the Camerata Musicale choir conducted by Aleksandra Janus during the Stanisław Ormiński International Festival of Religious Music in Rumia.
  • Performance of O salutaris Hostia by the Collegium Medium UMK choir conducted by Janusz Stanecki at Perth Concert Hall in Scotland.
  • Performance of Beatus vir by the vocal ensemble Minimus from Poznań conducted by Sławomira Raczyńska during Musica in Urbe in Bydgoszcz.
  • Presentation of the arrangement of Marek Grechuta’s song Nie dokazuj by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska during the nationwide concert tour Karuzela gna.

2023

  • World premiere of the composition The Mystery Great and Glorious during the LFCCM in London (Call for Scores 2023).
  • Composition commission for two choral pieces for the Cantata choir from Elbląg conducted by Marta Drózda-Kulkowska.
  • Performance of Beatus vir by the FN Choir conducted by Bartosz Michałowski at Holy Trinity Church in Warsaw.
  • Performance of Beatus vir by the Gdańsk University of Technology Choir conducted by Janusz Mróz during the Stefan Stuligrosz Grand Prix of Polish Choral Singing in Poznań.
  • Performance of Ubi caritas by the Gioia di Cantare Children’s Choir of the State Music School Complex in Toruń conducted by Renata Szerafin-Wójtowicz during the Sound Waves International Choir Competition and Festival in Austria.
  • Presentation of the arrangement of Marek Grechuta’s song Nie dokazuj by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska during the nationwide concert tour Karuzela gna.
  • Start of work on the Most the Music educational project under the artistic direction of Adam Sztaba.

2022

  • World premiere of the composition Życie, to a poem by Kazimierz Przerwa-Tetmajer, by the NFM Boys’ Choir in Wrocław conducted by Małgorzata Podzielny.
  • The album In via by the Polish Chamber Choir, featuring the piece Psalm V, nominated for the Fryderyk 2022 Phonographic Academy Award.
  • Performance of Beatus vir by the National Philharmonic Choir conducted by Bartosz Michałowski during the concert Dona nobis pacem at the National Philharmonic.
  • Performance of De profundis by the NFM Choir from Wrocław during the international concert tour Gwiazda Europy, dedicated to Edith Stein (Paris, Echt, Cologne, Oświęcim, Wrocław, Lubliniec, Gliwice).
  • Presentation of the arrangement of Marek Grechuta’s song Nie dokazuj by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska during the nationwide concert tour Karuzela gna.
  • Composition commission for the NFM Boys’ Choir in Wrocław conducted by Małgorzata Podzielny.
  • World premiere of four compositions to the words of Kuyavian folk songs during a concert at the Polish House in Bydgoszcz (conducted by Kaja Potrzebska).
  • Start of work at the Feliks Nowowiejski Academy of Music in Bydgoszcz – teaching composition propaedeutics in the Postgraduate Studies of Choral Conducting and Voice Emission.
  • Presentation of the arrangement of Marek Grechuta’s song Nie dokazuj by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska during the nationwide concert tour Karuzela gna.
  • Performances of choral works during the Musica in Urbe Choral Competition and Festival in Bydgoszcz (Jubilate Deo, Nunc dimittis).
  • Composition of piano miniatures for the film Święto Ognia (Festival of Fire), directed by Kinga Dębska, and participation on set as an actor-pianist.
  • Participation in the Polsat TV programme Nasz nowy dom at the Romantic Palace in Turzno.

2021

  • Recording of the arrangement of Marek Grechuta’s song Nie dokazuj on the album Karuzela Gna, featuring the greatest hits of Polish music of the 1980s and ’90s, performed by the Music Everywhere choir, conducted by Beata Śnieg-Wądołowska.
  • World premiere of the composition The Lord Is My Shepherd during the LFCCM in London.
  • Composition commission – four choral pieces inspired by Kuyavian folklore, for Kaja Potrzebska.
  • Performance of Crucem tuam by the mixed choir BSW Akolada conducted by Renata Szerafin-Wójtowicz during the International Festival of Sacred and Passion Music in Szczecin.
  • World premiere of the arrangement Nie dokazuj by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska at the Musical Theatre in Gdynia.
  • Release of the album In Via by the Polish Chamber Choir Schola Cantorum Gedanensis conducted by Jan Łukaszewski, featuring the composition Psalm V.

2020

  • Second prize in the Legnica Cantat National Composition Competition for the piece Są takie chwile, to a poem by Kazimierz Przerwa-Tetmajer.
  • Recording of the composition Nakłoń, o Panie, uszu swoich on the album Wacław Reimagined by the vocal ensemble Minimus from Poznań, conducted by Sławomira Raczyńska.
  • Cantus to words of St. Basil for three a cappella choirs – publication of the score by the Polish Music Publishing House (PWM).
  • Sacrum jako nadrzędny imperatyw w życiu i twórczości Marka Jasińskiego (Sacrum as the Supreme Imperative in the Life and Work of Marek Jasiński) – a portrait of the composer through a student’s eyes – text published in the academic journal of the Academy of Music in Bydgoszcz.

2019

  • Composition commission – an arrangement of Marek Grechuta’s song Nie dokazuj for mixed choir and band, for the Music Everywhere choir conducted by Beata Śnieg-Wądołowska.
  • Composition commission – a piece inspired by the music of Wacław of Szamotuły, for the vocal ensemble Minimus from Poznań conducted by Sławomira Raczyńska.
  • Performance of Crucem tuam during the Johannes Brahms International Choir Festival and Competition in Wernigerode by the choir Senza Rigore conducted by Joanna Szabelska-Matczak (the choir won the Grand Prix of the competition).
  • Performance of Crucem tuam by the choir of the Prague Conservatory, Punkt, in Oslo.
  • Selection of Ubi caritas as one of the required pieces for the 39th National a Cappella Choir Competition for Children and Youth in Bydgoszcz.
  • Recording of the composition Cantus for three a cappella choirs on the album Śpiewajmy. Młodzi młodym, by the Polish National Youth Choir, conducted by Agnieszka Franków-Żelazny.
  • Premiere of O salutaris Hostia during the LFCCM in London (piece selected as part of Call for Scores 2019).
  • Performance of In te Domine speravi by the Ars Cantandi Choir of the University of Economics in Wrocław during the Musica in Urbe Choral Festival and Competition in Bydgoszcz.

2018

  • Performance of De profundis by the Music Everywhere choir conducted by Beata Śnieg-Wądołowska during the International Choral Festival in Rimini, Italy.
  • Composition commission from the Youth Choir of the National Forum of Music.
  • Performances of the composition Cantus for three a cappella choirs by the NFM Youth Choir conducted by Agnieszka Franków-Żelazny and Bartosz Michałowski.
  • Performance of Ubi caritas in Poznań by the Gioia di Cantare Children’s Choir of the State Music School Complex in Toruń conducted by Renata Szerafin-Wójtowicz during the Trillme Festival, an international festival of girls’ choirs.
  • Performance of Crux fidelis by the Ars Cantandi Choir of the University of Economics in Wrocław during the International Choral Festival in Ohrid, North Macedonia.
  • Performance of Nunc dimittis by the vocal ensemble Contento Core in Katowice.
  • Performance of Te Deum Laudamus by the vocal ensemble Octava Ensemble from Kraków conducted by Zygmunt Magiera in Dobroń at the concert Kolory Polski.
  • Performance of Crucem tuam by the Cantata choir conducted by Marta Drózda-Kulkowska during the 7th Gdańsk International Choral Festival.
  • Presentation of choral works (Tu es Petrus, Crucem tuam, Ubi caritas) during the 8th Koncerty z Różą series in Bydgoszcz’s collegiate church.
  • Composition commissions for two choral pieces (Nakłoń, o Panie, uszu swoich, Ubi caritas).
  • Performance of Crux fidelis by the Ars Cantandi Choir of the University of Economics conducted by Anna Borys at concerts in Wrocław and Wieluń.
  • Presentation of Nunc dimittis by the vocal ensemble Contento Core conducted by Maria Piotrowska-Bogalecka during the Sosnowiec Days of Known and Unknown Music.
  • Performance of Crucem tuam by the mixed choir 441 Hz conducted by Anna Borkowicz during a concert as part of the Muzyka Duszy liturgical music workshops in Gdańsk.

2017

  • Recording of De profundis by the NFM Choir conducted by Agnieszka Franków-Żelazny on the album De profundis. Polish Psalms of the 20th and 21st Century – Fryderyk Award.
  • Performance of Crucem tuam in Toruń by the Cantata choir from Elbląg conducted by Marta Drózda-Kulkowska.
  • Performance of Crucem tuam in Lublin by the Canto choir conducted by Marian Szczepański at the Cantates Lublinensis festival.
  • Presentation in Katowice of Nunc dimittis, selected as part of the Call for Scores of the Silesian Composers’ Forum.
  • Concert of the Choir of the University of Bielsko-Biala conducted by Dr. Habil. Jan Borowski, Professor of the Academy of Music, 28 October 2017, at the Academy of Music in Poznań.
  • Performance of Crucem tuam in Bratislava by the Choir of the University of Bielsko-Biala conducted by Jan Borowski.
  • Performance of In te Domine speravi in Bratislava by the Choir of Faculty IV of the Academy of Music in Gdańsk conducted by Michał Kozyrys.

2016

  • World premiere of the first Polish mass in honour of St. Adalbert (Missa in honorem Sancti Adalberti) in Poznań, by the Poznań Chamber Choir conducted by Bartosz Michałowski and artists of the Poznań Philharmonic.
  • Performance of the Mass in Honour of St. Adalbert at the Bydgoszcz basilica.
  • Performance of Te Deum Laudamus by the Dominanta Choir of the Kraków University of Economics conducted by Małgorzata Langer-Król during the Šiauliai Cantat International Choir Competition in Lithuania.
  • Performance of Crucem tuam by the Canto Choir conducted by Marian Szczepański during the International Szczecin Festival of Passion Music.
  • Performance of Crucem tuam by the Choir of the University of Bielsko-Biala conducted by Jan Borowski at the concert Tajemnice szczęścia.

2015

  • Composition commission for the first Polish mass in memory of St. Adalbert, Missa in honorem Sancti Adalberti, for mixed choir, brass quintet, percussion instruments, and 966 believers.
  • Performance of Miserere mei and Beatus vir by the Poznań Chamber Choir conducted by Bartosz Michałowski at Holy Trinity Church in Bydgoszcz, at the concert of the 25th International Festival of Sacred Music “Gaude Mater”.
  • Interview on Radio PiK with Bartosz Michałowski and Magda Jasińska.
  • Performance of Crucem tuam during the 2nd International Szczecin Festival of Passion Music by the choir Camerata Musicale (conducted by Aleksandra Janus) and the choir Akolada (conducted by Renata Szerafin-Wójtowicz).
  • Honoured with the “Meritorious for Polish Culture” badge during the “Gaude Mater” Festival of Sacred Music in Częstochowa.
  • Meeting and conversation with the master Arvo Pärt during the “Gaude Mater” Festival of Sacred Music in Częstochowa.
  • Performance of Nunc dimittis in North Macedonia by the Canto Choir conducted by Marian Szczepański.
  • Performance of Santo Subito (for mixed choir, string quartet and piano), Lux in tenebris (for oboe and organ), and Ave Maria (for soprano and piano) in Szczecin during a concert in memory of Marek Jasiński.
  • Recording of Missa in honorem beati Georgii Popiełuszko on the album Martyrum Polonorum Laudes, conducted by Michał Sławecki.

2014

  • First prize in the National Composition Competition for the piece Crucem tuam.
  • Distinction at the Fide et Amore International Composition Competition in Żory for the piece Lux in tenebris for oboe and organ.
  • Performance of the pieces Nunc dimittis, De profundis and Exaltabo te Domine by the Polish Chamber Choir conducted by Jan Łukaszewski during a concert dedicated to Polish Saints and Blesseds.
  • Performance of De profundis during the concert Pedagodzy i ich chóry (Teachers and Their Choirs) in Poznań.
  • Performance of the composition In te Domine speravi in Washington (conducted by Gregory Hooker).
  • Leading workshops on composition, Pisz muzykę – to proste (Write Music – It’s Simple), in Poznań.
  • World premiere of Beatus vir, composed for the Poznań Chamber Choir conducted by Bartosz Michałowski (as part of the composer-in-residence programme).
  • Performance of Nunc dimittis by the Polish Chamber Choir Schola Cantorum Gedanensis conducted by Jan Łukaszewski during the 37th International Festival of Organ, Choral and Chamber Music in Gdańsk.

2013

  • World premiere of Missa in honorem beati Georgii Popiełuszko for mixed choir and small symphony orchestra during the “Gaude Mater” International Festival of Sacred Music LINK.
  • Distinction at the Gianni Bergamo Classic Music Award International Composition Competition in Lugano, Switzerland, for the piece Cantate Domine for a cappella female choir.
  • First prize in the Opus 966 National Composition Competition, marking the 1050th anniversary of the Baptism of Poland.
  • Performance of In te Domine speravi in London during the LFCCM.
  • Special Award of the Mayor of Poznań, awarded in the Opus 966 National Composition Competition marking the 1050th anniversary of the Baptism of Poland.
  • Special Award of the Poznań Chamber Choir, awarded in the Opus 966 National Composition Competition marking the 1050th anniversary of the Baptism of Poland.
  • Recording of the composition Agnus Dei for female choir on the album Prayer (DUX label, Musica Sacra Choir, conducted by Paweł Łukaszewski).

2012

  • Nomination to the Artistic and Programme Council of the “Gaude Mater” International Festival of Sacred Music.
  • Commission to compose a mass commemorating Blessed Jerzy Popiełuszko.
  • Performance of Laudate Dominum by the Camerata Silesia choir conducted by Anna Szostak during the “Gaude Mater” International Festival of Sacred Music.
  • Recording of the composition Exaltabo te Domine on the album Musica Sacra & “Gaude Mater” (Polish Chamber Choir, conducted by Jan Łukaszewski).
  • Performance of In te Domine speravi in Denmark.

2011

  • First prize in the National Composition Competition for the piece In te Domine speravi for a cappella mixed choir.
  • Second prize at the Musica Sacra International Composition Competition in Częstochowa for the piece Psalm V for a cappella mixed choir.
  • Performance of Exaltabo te Domine in London during the London Festival of Contemporary Church Music (LFCCM).
  • World premiere of Psalm V during a concert as part of the “Gaude Mater” International Festival of Sacred Music in Częstochowa, by the Polish Chamber Choir conducted by Jan Łukaszewski.
  • Start of cooperation with the Opera Nova in Bydgoszcz.
  • Interview on TVP Bydgoszcz.
  • Performance of In te Domine speravi in Rome by the choir Astrolabium conducted by Kinga Litowska.

2010

  • Composition of the piece Psalm V for a cappella mixed choir.
  • Concert at the Artus Court in Toruń.

2009

  • Second prize at the Musica Sacra International Composition Competition in Częstochowa for the piece Exaltabo te Domine for 10-voice a cappella mixed choir.
  • World premiere of Exaltabo te Domine by the Polish Chamber Choir Schola Cantorum Gedanensis conducted by Jan Łukaszewski during the “Gaude Mater” Festival.
  • Second prize in the Fides et Ratio National Composition Competition in Toruń for the composition Laudate Dominum for a cappella mixed choir.
  • Performance of Te Deum Laudamus during the “Legnica Cantat” National Choral Festival by the Octava Ensemble from Kraków conducted by Zygmunt Magiera.
  • World premiere of Laudate Dominum by the choir Astrolabium conducted by Kinga Litowska at the Church of the Holy Spirit in Toruń.

2008

  • Two first prizes at the Composition Competition in Legnica accompanying the “Legnica Cantat” festival, for the pieces Te Deum Laudamus and Gloria.
  • Second prize in the National Composition Competition for a Passion Song for the piece Crucifixus for a cappella mixed choir.
  • Artistic Scholarship of the Mayor of Bydgoszcz.
  • Performance of the piece Libera me for soprano solo, mixed choir and large symphony orchestra at the Opera Nova in Bydgoszcz.

2007

  • Second prize at the Adam Didur Composition Competition in Sanok for the piece Trzy pieśni for soprano and piano.
  • Interview on Polish Radio Rzeszów.

2006

  • Distinction in the National Composition Competition for a Passion Song for the piece Crux fidelis.
  • Recording of the composition De profundis on the album Credo by the “Musica Viva” Choir of the University of Economics in Poznań conducted by Marek Gandecki.

2005

  • Presentation of De profundis during the 1st Choral Competition for a Passion Song in Bydgoszcz.

2004

  • First prize in the National Composition Competition for a Passion Song for the piece De profundis for a cappella mixed choir.
  • Presentation of De profundis during the 1st Choral Competition for a Passion Song in Bydgoszcz.